REVIEW: Guillermo del Toro's Pinocchio
Another day and another Pinocchio film. It was only a few months ago I reviewed the terrible Disney Live Action Pinocchio with Tom Hanks in it, that was a stinker, in part due to the usual woke decisions of Disney, to insert identity politics into what is supposed to be a 19th century story. Well this time we have Guillermo del Toro's take on Pinocchio, with a fully animated stop motion version, based on Gris Grimly's Pinocchio design from his 2002 edition of the 1883 Italian novel The Adventures of Pinocchio by Carlo Collodi, this time the film reimagines the story in 1930s Fascist Italy as "a story of love and disobedience as Pinocchio struggles to live up to his father's expectations, learning the true meaning of life."
Over the next 20 years Geppetto mourns the loss of his son, one day he plants a pin cone near Carlo's grave. The grief is too much for Geppetto and he turns to drink. The pine tree grows and a cricket named Sebastian finds a home in the tree.
We start the film with Master Geppetto (David Bradley), woodcarving and living peacefully in 1930s Italy with his very much alive son Carlo. World War 1 has broken out, and planes are often seen above.
One day while helping at the local Church, Geppetto sends his son out to find a flawless pine cone, a plane drops a bomb that destroys the church and kills Carlo, while Geppetto survives.
Full Review at
