REVIEW: Motor City (2026 Film) - Starring Alan Ritchson, Ben Foster, Pablo Schreiber, Lionel Boyce and Shailene Woodley

Motor City proves that action films do not need endless dialogue to make an impact. Driven by Alan Ritchson's commanding physical performance, brutal action scenes and a superb rock soundtrack, the film tells its revenge story almost entirely through visuals. Its blend of silent-style storytelling and gritty 1970s action influences creates something that feels genuinely fresh.

The underlying revenge plot is fairly conventional, and the pacing occasionally suffers from slow-motion sequences that overstay their welcome. Even so, the film's confidence, originality and explosive finale make it an engaging and memorable action thriller that stands apart from most modern entries in the genre.

Full Review at

https://www.beentothemovies.com/2026/07/review-motor-city-2026-film-starring.html

REVIEW: Descendants: Wicked Wonderland (2026 Film) - Starring Kylie Cantrall, Malia Baker, and Leonardo Nam

Descendants: Wicked Wonderland continues the story of Red and Chloe, but quickly becomes overwhelmed by an overcrowded cast, a confusing plot and far too many storylines competing for attention. The colourful visuals and catchy musical numbers will entertain younger viewers, but the film struggles to make sense as it borrows heavily from earlier entries while introducing a constant stream of new characters.

The cast give committed performances, but they are let down by a muddled script that never finds its focus. Despite the impressive production design and energetic songs, the weak storytelling makes this a frustrating experience. Even with a Disney+ subscription, it is difficult to recommend.

Full Review at

https://www.beentothemovies.com/2026/07/review-descendants-wicked-wonderland.html

REVIEW: Christopher Nolan’s The Odyssey (2026 Film) - Starring Matt Damon

Christopher Nolan’s The Odyssey is a spectacular-looking production that ultimately fails to deliver a faithful or meaningful adaptation of Homer’s ancient Greek epic. Despite an enormous budget, impressive CGI and some genuinely impressive set pieces, the film struggles with weak dialogue, questionable creative decisions and a complete lack of connection to the original source material.

The biggest disappointment is that the film feels detached from the world it is supposed to represent. The casting choices, modernised script and lack of authenticity make it feel less like an adaptation of Homer’s masterpiece and more like a Hollywood reworking that has forgotten what made the original story endure for thousands of years. For fans of Greek mythology, this is a deeply frustrating and disappointing experience.

Full Review at

https://www.beentothemovies.com/2026/07/review-christopher-nolans-odyssey-2026.html

REVIEW: Propeller One-Way Night Coach (2026 Film) - Directed by John Travolta

Propeller One-Way Night Coach is a warm, nostalgic family adventure set in the golden age of aviation. Jeff, a young aviation enthusiast, travels with his mother from New York to Los Angeles, and what begins as a simple flight slowly turns into a formative journey shaped by chance encounters, brief friendships and quiet emotional turning points. The film builds its world through small, carefully observed moments that capture the wonder of early air travel.

The strength of the film lies in its atmosphere and performances, with Clark Shotwell giving Jeff an earnest charm and Kelly Eviston-Quinnett grounding the story as his mother. The supporting cast adds texture, especially in the fleeting but memorable interactions during the journey. While the lack of strong conflict and the short runtime can make it feel episodic at times, the film remains engaging and emotionally sincere. It is a gentle, reflective piece that values mood and memory over spectacle, and it lands effectively as a family film with heart.

Full Review at

https://www.beentothemovies.com/2026/06/review-propeller-one-way-night-coach.html

REVIEW: Kraken (2026 Film) - Directed by Pål Øie

Kraken follows marine biologist Johanne working at a fish farm in a rural fjord community, where strange events and brutal deaths point to something lurking deep below. The idea is strong from the start, with a solid setup involving a sonic device meant to protect salmon that ends up awakening a massive hidden creature. The Norwegian setting is beautifully shot, and the film is at its most effective when the Kraken itself appears.

Despite the promising premise, the film struggles with limited effects, weak character development and several plot issues. The audience often knows more than the characters, which reduces tension, and the CGI can feel unconvincing at times. While the runtime keeps things moving and the core idea remains engaging, the overall delivery falls short of its potential.

Full Review at

https://www.beentothemovies.com/2026/05/review-kraken-2026-film-directed-by-pal.html